Kimberly Robertson (Mvskoke) is an artivist, scholar, teacher, and mother who works diligently to employ Native feminist theories, practices, and methodologies in her hustle to fulfill the dreams of her ancestors and to build a world in which her daughters can thrive. She was born in Bakersfield, CA and currently lives on unceded Tongva lands.


She earned an MA in American Indian Studies and a PhD in Women’s Studies from the University of California, Los Angeles in 2012.  She is an Assistant Professor of Women’s, Gender, and Sexuality Studies at California State University, Los Angeles and a member of the Indigenous Goddess Gang.  She is also a co-founder of the Green Corn Collective: A Constellation of Indigenous Feminist Bosses. 


Informed by Indigenous feminisms, Kimberly Robertson’s creative practices (which currently include screen printing, collage, beadwork, installation art, and zine-making) address the settler colonial and heteropatriarchal violences that plague Indigenous communities andoperationalize the decolonial worlds many of us desire to live in.  Her work centers the ideas and practices of ceremony, storytelling, intersecting subjectivities, dislocation, decolonization, and Indigenous futurities.

"I was a first-generation college student, the oldest of six, and the first in my family to go to college. When I took a women's studies class my freshmen year, I felt like the whole world cracked open for me. I finally found the words  to articulate my experiences.  The same thing happened again when I took my first Indigenous studies course.  I really fell in love with education (and eventually ARTivism) as a tool for social justice, community empowerment, decolonization, and healing."  

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If we allow the pieces of our culture to lie scattered in the dust of history, trampled on by racism and grief, then yes, we are irreparably damaged.  But if we pick up the pieces and use them in new ways that honor their integrity, their colors, textures, stories -- then we do those pieces justice, no matter how sharp they are, no matter how much handling them slices our fingers and makes us bleed.   -- Deborah Miranda